CBMS Choice-Based Art Studio

CBMS Choice-Based Art Studio
CBMS Choice-Based Art Studio

Wednesday, July 4, 2012

Double Negative


A boy in my “AG” (morning advisory group) studied the above sign for some minutes and finally declared: “That’s a double negative.”

I agreed and asked him what that meant as far as the sentiment of the sign – he said “it means; "We agree with splatter painting.”
Which, of course, it does.

With about two weeks left in the school year, some articulate, persuasive 5th grade girls began an impassioned campaign to get me to change my rule about splatter painting. My rule is: say no as long as possible. But what I say to students is " the rule is: no splatter painting in the studio.”

It only takes a few days, persistent desire and good weather for students to ask: “Can we splatter paint OUTSIDE?”

It also helps that their teacher is a push over and that there is a back door to the art room, leading to wide open spaces.
Now the rule is: Suit up and leave your shoes and socks on the step


Friday, June 29, 2012

Look! An Artist!

I had the immense privilege to attend my former student’s art opening this week at the Hopkins Center in Hanover New Hampshire. Max is a Dartmouth graduate who discovered a love for architecture during his freshman year. This interest led him to fine art and voila! An artist! His work reflects his complex personality and diverse influences and has gained many honors – you can see it  by visiting his webpage: http://maxvanpelt.com/
 
Max makes sculptures and drawings. I was impressed with the variety of materials he uses in his work, and took a picture of one of the labels associated with a very large drawing.

I want to show this to my current students, because I ask them to identify the media they use, and to title their work, when filling out an “artist’s statement.” This information is displayed with their work.  I think they will be interested to see how this is employed in a gallery setting.

Friday, June 1, 2012

ANIMATION 2012!




The “Animation Station” in the studio features 2 “stages,” 2 cameras, 2 tripods, a roll of fishing line and Plasticine clay.
Animators can make characters to populate their films or use other objects from around the room for characters and props. Backdrops can be pinned to the wall behind the stage.
Teams of two work well –one person snapping the pictures while the other moves the characters. Animations with a lot of characters do better when a third team member is added. A rhythm emerges: move, snap, move, snap – like clockwork, until 80-200 photos are amassed and post-production can begin.
Stop action painting/collage project: "The Flood"
After all the pictures are imported, sound effects, visual effects, titles and music can be added.

The important thing about making a stop-action movie? Keep the camera still and make tiny, incremental moves with the characters. That and a clever idea = a winning formula.

Thursday, May 31, 2012

The Secret of Sewing





Anyone who has ever offered sewing in their class has made this observation: Boys love sewing, even more than girls.
I noticed this when I was a preschool teacher. I used to clamp a huge quilting hoop to the edge of the table. There would be boys above and boys below, passing the needle back and forth.
In elementary school, when a sewing machine was donated to the art studio, it was the boys who sewed pillow after pillow after pillow.
Now, in middle school, the secret is finally revealed. According to an eighth grade boy who came to the studio during his study hall to sew: “Sewing’s kinda cool. I like sewing, it makes your anger go away.”

Wednesday, May 30, 2012

The Purpose of Art

Here are some of the responses I received from 5th and 8th grade artists this semester, when I asked "what is the purpose of art?" When their quarter in art begins, I ask that students write that question and their answer on one side of an index card. On the other side of  the card I ask students to describe their "Hopes & Dreams" for art this quarter. This is where they can list their plans and ideas, and let me know what I can do to be ready for this crop of artists.
At the end of the quarter I will return the cards and ask: "Have you discovered any additional purposes of art?" And on the flip side I will ask if they accomplished their hopes, dreams and plans - if so - how? If not - what did they do instead?

Reflection is an important artistic behavior, one we practice daily during work sessions, weekly through written self reflections and group share sessions and at the end of each quarter, when we look back and see what worked, what didn't and what's next.

This quarter I have just 5th and 8th grade students, representing the newest and the most senior middle school students at CBMS. It is an interesting juxtaposition to observe those just entering the program,  testing their wings as artists while others are putting together final projects and artistic farewells.

CENTER CLOSING!



color blind?

What happens in a Studio-Classroom when clean up falls short? In our studio, it is understood that if a center doesn’t get cleaned up properly, it closes.

If a center is too difficult for students to maintain, they are showing the teacher that they are not ready for that responsibility, and things are simplified. Instead of 5 center choices, maybe 4 is the right number for a while. Or, maybe instead of three kinds of paint to chose from in the painting center, just one is available for now.

Students earn back center privileges by demonstrating that they can handle and accept responsibility for tools, materials and fixtures in the studio.

Centers rarely close in our studio, because a warning is always issued first, giving students the opportunity to make things right. Often, students will rush from all corners of the room to “save the clay center!” or “keep sculpture open for all!”

Hands to Work


Team TAB (Teaching for Artistic Behavior partnership of teachers) is preparing to debut a bimonthly column for Arts and Activities magazine. The column will be called “Choice-Based Art” and will feature stories and information from art classrooms around the country where student-directed learning is supported. Our first article will appear in the September issue. To help prepare for the column, CBMS students have generously lent a hand – by volunteering as hand models, in order to provide a collage-banner for the column. On any given day, in any given class, it is astonishing to see hands engaged in so many different artistic behaviors! Please enjoy a glimpse of student hands at work as artists in the studio.